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Best music of 2023

Happy New Year, everyone! 2024 is upon us.
As is customary (for me, anyway), I’m compelled to look back at the tunes that kept me going in the past year. Lots of great music in 2023!
In no particular order, here are 20 albums that stood out:

Javelin — Sufjan Stevens
The Record — boygenius
Weathervanes — Jason Isbell & 400 Unit
Jump for Joy — Hiss Golden Messenger
Lucky For You — Bully
I/O — Peter Gabriel
Chronicles of a Diamond — Black Pumas
All That Was East Is West Of Me Now — Glen Hansard
From The Valley — Illsey
Everything is Alive — Slowdive
Strange Disciple — Nation of Language
Cracker Island — Gorillaz
Valley of Heart’s Delight — Margo Cilker
Appaloosa Bones — Gregory Alan Isakov
First 2 Pages of Frankenstein / Laugh Track — The National (a double-album, IMHO)
The Land Is Inhospitable and So Are We — Mitski
Ben — Macklemore
In the End It Always Does — The Japanese House
This Stupid World — Yo La Tengo
Time Will Wait for No One — Local Natives

Honorable mention: Mejedin, Noah Kahan, Hozier, Zack Bryan, André 3000 (flute!!!), SYML (and I’m sure I’m missing some).

I often include books, movies and TV/streaming shows in my annual recap, but in 2023 I was slacking in those categories (especially movies/TV). Ted Chiang’s “Exhalation” is a great set of short stories that I enjoyed (a few years old, though).

Here’s to more great stuff in 2024!

~Jason

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Bye, 2022: Some Good Stuff

Merry Christmas and Happy New Year from me and the Seattle Grotes!

Our family has had a busy 2022. Over the summer, we moved to a new home (still within West Seattle) and are loving it, but still getting settled. Our eldest kid will be off to college next fall, which is still a mind-blowing reality to wrap my head around. I started a new job in October, and we’re all keeping busy with various activities (soccer, volunteer boards, etc). Onward to 2023!

As has become my annual habit, I’m publishing a “best of 2022” list of things that I particularly enjoyed this year — and as usual, the main focus is on music. In no particular order, here are 30-ish great albums that caught my ear last year…

Beth Orton – Weather Alive
Goose – Dripfield / Undecided EP
Toro y Moi – Mahal
Dayglow – Life In Motion
Wet Leg – Wet Leg
Andrew Bird – Inside Problems
Big Thief – Dragon New Warm Mountain…
Odesza – The Last Goodbye
Death Cab for Cutie – Asphalt Meadows
Alvvays – Blue Rev
The Black Angels – Wilderness of Mirrors
Plains – I Walked With You A Ways
Mitski – Laurel Hell
Khruangbin & Leon Bridges – Texas Moon EP
Wilco – Cruel Country
Afghan Whigs – How Do You Burn?
Beach House – Once Twice Melody
Delvon Lamarr Organ Trio – Cold as Weiss
Spoon – Lucifer on the Sofa
Willi Carlisle – Peculiar, Missouri
Weyes Blood – And In the Darkness, Hearts Aglow
Josh Rouse – Going Places
The 1975 – Being Funny in a Foreign Language
Bjork – Fossora
Alex G – God Save the Animals
Special Interest – Endure
Sudan Archives – Natural Brown Prom Queen
PVA – Blush
Danger Mouse & Black Thought – Cheat Codes
Ibibio Sound Machine – Electricity
Tyler Childers – Can I Take My Hounds to Heaven?
Brimheim – can’t hate myself into a different shape

Honorable mention to big artists that also put out some pretty cool stuff last year: Kendrick Lamar, The Weeknd, Lizzo, Beyoncé, Taylor Swift. These albums were all great; I just haven’t found myself coming back to them as frequently.

For books, I haven’t read much “new stuff” this past year, but here are some tomes that stood out from my list:

  • Damnation Spring – Ash Davidson
  • Storm – George Stewart
  • The Power of Regret – Daniel Pink
  • The Storyteller – Dave Grohl

As usual, I’ve been inconsistent about watching shows and going to movies. I’m sure that I’m forgetting some, but some things I recall seeing/enjoying:

  • Ted Lasso
  • Book of Boba Fett
  • Sandman
  • Stranger Things
  • Top Gun Maverick
  • Wakanda Forever
  • Greatest Beer Run Ever.
  • (I’ve also started Yellowstone and Severance, and need to finish House of the Dragon)

I say this every year, but I’m hoping to do better in 2023 with blogging (and writing, in general). But we’ll see.

Happy 2023!

~Jason

Posts

Farewell, 2021: You had some stuff

Happy 2022 to all!

I’m posting this during the wee hours of an awesome family vacation in Kauai (although most of it was already compiled throughout the year). It appears that I did poorly on my hope to post more in 2021, based on the fact that my last post was… one year ago, for my 2020 recap. So it goes.

As was true for most of us, 2021 was a mixed bag. Our family was blessed with (generally) good health, safety and prosperous endeavors as far as school, work, activities and community involvement. I picked up some new things (coaching youth soccer, and ratcheting up on school/group leadership responsibilities). COVID stinks, and messed some things up (it’s still doing that). We lost some good people in our inner circles (cancer sucks) but welcomed some new extended family members, and we’re all just powering through, right?

I always like to document the art and things that help get me through each year. Unlike most of 2020, we were able to actually enjoy some real concerts in 2021 (most notably Seattle locals Brandi Carlile and Macklemore, with our whole family), and a handful of actual movies in actual theatres. But like most people, the majority of the goodness was consumed at home, so here’s a synopsis of stuff that I enjoyed in 2021. As always, it’s published mostly for my own look-back reflection, but I’m pleased as punch if it helps anyone catch up on something cool they may have missed last year: 

LISTENING (MUSIC): These are some of the albums that I particularly enjoyed, in no certain order:

  • Low – Hey What
  • Gus Gus – Mobile Home
  • Margo Cilker – Pohorylle
  • Chvrches – Screen Violence
  • Jose Gonzalez – Local Valley
  • Tyler, the Creator – Call Me If You Get Lost
  • Brandi Carlile – In These Silent Days
  • Snail Mail – Valentine
  • War on Drugs – I Don’t Live Here Anymore
  • Arlo Parks – Collapsed Into Sunbeams
  • Isbell/Cooley/Hood – Live at the Shoals Theater
  • Bleachers – Live at Electric Lady
  • Big Red Machine – How Long Do You Think It’s Gonna Last
  • Delvon Lamarr Organ Trio – I Told You So
  • Silk Sonic – Evening with Silk Sonic
  • Leon Bridges – Gold-Diggers Sound
  • Fleet Foxes (Robin Pecknold) – A Very Lonely Solstice
  • Little Simz – Sometimes I Might Be Introvert
  • IDLES – Crawler

MORE LISTENING (PODCASTS): 

  • Radiolab
  • A Slight Change of Plans – Maya Shankar
  • Judge John Hodgman
  • Lexicon Valley – John McWhorter
  • Monday Morning Podcast – Bill Burr
  • Freakonomics Radio
  • Deep Background – Noah Feldman
  • Bulwark – Charlie Sykes
  • Hidden Brain – Shankar Vedantam
  • Revisionist History – Malcolm Gladwell

READING: As usual, I tend to fail at reading books in the year they’re actually released, but here are some tomes that I enjoyed last year:

  • Hail Mary – Andy Weir
  • Our Own Worst Enemy – Tom Nichols
  • Broken Horses – Brandi Carlile
  • The Holy or the Broken – Alan Light
  • Nine Nasty Words – John McWhorter
  • Astrophysics for People in a Hurry – Neil deGrasse Tyson
  • The Splendid and the Vile – Erik Larson
  • Calling Bullsh*t – Carl Bergstrom
  • (also revisited some classics) Amusing Ourselves to Death, Pygmailon and Brave New World

I’m also currently enjoying Damnation Spring, The Rosie Project and Pontoon.

As usual, the finest “year in review” writeup comes from the incomparable Dave Barry.

WATCHING: My “lists” here are short. I’m rubbish at sitting and watching shows:

Movies:

  • Nomadland
  • Ghostbusters: Afterlife
  • Shang-Chi: Legend of Ten Rings
  • Free Guy
  • …haven’t seen the new Spider Man yet, but soon

Streaming shows:

  • Loki
  • WandaVision
  • Ted Lasso (in progress; as a newbie soccer coach with a positive attitude and love for quips, but little actual knowledge, this one resonates)
  • Schitt’s Creek (in progress)
  • I’ve got Book of Boba Fett and Don’t Look Up queued up for the new year
  • …and yes, I watched Squid Game. Yeah.

So, that was 2021. Here’s to 2022! Be safe and sane, all!

~Jason

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Bye, 2020: So long and thanks for all the tunes (and stuff)

Happy 2021, one and all!

The arrival of any new calendar year is an occasion worth celebrating annually, but in particular, leaving 2020 in the rear view carries a special kind of catharsis. Good grief, what a crazy year.

It wasn’t all bad, of course. Our family was blessed to continue to have good health and gainful employment and schooling (such as it was). For me, like many others, an upside of quarantine was having a bit more time and opportunity to enjoy great art and content. And because 2020 was what it was, I think much of what artists created in 2020 has a uniquely indelible twist that reflects a uniquely twisty time for all of us. That said, here’s some of what I enjoyed in 2020, compiled and published mostly for my own reflection but also for anyone else poking around for cool stuff they may have missed last year: 

LISTENING (MUSIC): I will start (and spend the most time) here, because…well, just because. Seeking out and sharing great music is something I’ve always loved to do, but even more so this past year. That said, here are my 20-ish favorite albums of the year, in no particular order:

  • The Avalanches – We Will Always Love You
  • Ruston Kelly – Shape and Destroy
  • Fleet Foxes – Shore
  • Sturgill Simpson – Cuttin’ Grass Vol 1 & 2
  • Phoebe Bridgers- Punisher
  • Washed Out – Purple Noon
  • Fiona Apple – Fetch the Bolt Cutters
  • Khruangbin – Mordechai (bonus points because their “Texas Sun” EP with Leon Bridges is amazing, too)
  • Blue Note Re:Imagined
  • Sufjan Stevens – The Ascension
  • Hum – Inlet
  • Run The Jewels – RTJ4
  • Idles – Ultra Mono
  • Jason Isbell & 400 Unit – Reunions
  • Tame Impala – The Slow Rush
  • Gorillaz – Song Machine Season One (Strange Times)
  • Jeff Tweedy – Love is the King
  • Black Pumas – Black Pumas
  • Perfume Genius – Set My Heart on Fire Immediately
  • Tomo Nakayama – Melonday

Honorable mention to: Waxahatchee, Bill Frisell, Deep Sea Diver, Sault, The Chats, HAIM, Drive By Truckers, Soccer Mommy, Mark Lanegan, Ondara, Bob Mould, Café Racer, Lucinda Williams, Fontaines D.C. and yes… Taylor Swift and Miley Cyrus.

MORE LISTENING (PODCASTS): I’m relatively new to the podcast game, and 2020 was probably only the third-ish year that I’ve really listened to them a lot.  Podcasts that I particularly enjoyed and kept coming back to last year:

  • Deep Background – Noah Feldman
  • Bulwark – Charlie Sykes
  • Against The Rules – Michael Lewis
  • Armchair Expert – Dax Shepard
  • Thrilling Tales of Modern Capitalism – Seth Stevenson
  • Hidden Brain – Shankar Vedantam
  • Revisionist History – Malcolm Gladwell
  • How I Built This – Guy Raz

READING: I’m really not good about reading current books in the year they’re actually released, and that trend continued last year. There was a lot that I enjoyed, though, such as:

  • Zeitoun – Dave Eggers
  • Between the World and Me – Ta-Nehisi Coates
  • Words on the Move – John McWhorter
  • Where the Crawdads Sing – Delia Owens
  • The Electric Hotel – Dominic Smith
  • This Blessed Earth – Ted Genoways
  • Educated – Tara Westover
  • The Death of Expertise – Tom Nichols
  • Indistractable – Nir Eyal
  • On Fire – Naomi Klein
  • You Don’t Have to Say You Love Me – Sherman Alexie
  • Armada – Ernest Cline
  • The Holy or the Broken – Alan Light
  • What the Dog Saw – Malcolm Gladwell

I’m also currently reading and enjoying: 1776 by David McCullough, The Splendid and the Vile by Erik Larson, Calling Bullsh*t by Carl Bergstrom, and Golden State by Ben Winters.

Working in mass communication roles means that I also read a mountain of news and commentary about daily events, which in 2020 was – often a mentally challenging and draining exercise. There were way too many to list here, but the best thing I read this year (in any form factor) may have been Dave Barry’s 2020 year in review. It’s perfect in every way. Check it out here, on WaPo.  

Special shout-out to my good friend Jeff Koterba who, spurred on by unfortunate employment-related events in 2020, launched on Patreon last year to showcase his amazing and thought-provoking cartoons. If you’re not already following/supporting Jeff…do it. You’ll be glad you did: https://www.patreon.com/jeffreykoterba  

WATCHING: My “lists” here will be short. I don’t consume nearly as much video/TV content as I do other form factors (personal preference), but of course there are things to like. For me:

Movies:

  • Da 5 Bloods
  • Borat
  • Hamilton
  • Just Mercy
  • David Byrne’s American Utopia
  • Onward
  • 13th
  • Soul

Streaming shows:

  • Mandalorian
  • Watchmen
  • Queen’s Gambit
  • The Last Dance
  • I was late getting into Ozark, Schitt’s Creek and Marvelous Mrs Maisel, but am “in progress” on all three and enjoying them.
  • …I also watched Tiger King last year. Not “good,” but somehow unavoidable and inexplicably essential for such a bonkers year.  

So, that was 2020. Onward and upward to a new year, and more good stuff to enjoy!

~Jason

Posts

The vote’s in the mail

“Who gives you power?
Where do you think it all comes from?
I give you power over me
But I gotta be free
And now I say

I can take it away (watch me)
I Give You Power – Arcade Fire & Mavis Staples 

Like many Americans, I’ve got ballots on the brain.

Over the weekend, during a sunny walk around my West Seattle neighborhood, I dropped off my August primary ballot at a local King County ballot box.  No “I Voted” sticker (although those are certainly available), but regardless, it always feels good, even if a primary is just a run-up to the “main event” elections in November. All part of the process.

I had essentially filled out my ballot at home, in my pajamas, like a boss. This is nothing new in Washington State, which has been successfully all mail-in for almost two decades (and recently went stamp-free, even), but the approach is getting renewed attention nationwide as the impacts of COVID-19 continue. There have been numerous recent articles and interviews with Washington’s secretary of state (Kim Wyman, an elected Republican in a blue-in-the-west and red-on-the-east state, and who happens to be up for election herself this fall), in which she touts the high-popularity and low-fraud track record of mail-in voting in Washington and in other states doing the same thing. 

I’ll write more below about the weird stigma of “mailing it in,” but to me, the important thing is to take care of the easy part, which you have full control over. Vote. Get the pen and fill the oval and just make it happen. You’ve got the power.

I fully admit that I unapologetically fall into the “if you don’t vote, you can’t complain” camp. The right to vote is something that our country’s founders sacrificed so much for, and any modern-cries of “my vote doesn’t count” or “the candidates are all the same” just don’t resonate with me, especially for local/county/state elections in which public engagement tends to be woefully lacking. As consumers have moved away from supporting local independent media and toward national corporate media funded by special interests, people are increasingly obsessed with federal happenings and “cult of personality” figures, but shockingly clueless when it comes to their own city/county/state elected officials and the issues within their jurisdiction that actually matter. The exceptions, of course, are those occasions in which local officials/events get national attention (usually negative, for a social media comment or wayward tweet), and then suddenly those citizens who previously couldn’t name their own local officials try to hold court as armchair experts on “how things are in my city.” Spare me. Public service at a local level is a crucial and often thankless job (and yes, too many local races go uncontested and too many local decision-making meetings are sparsely attended, which is another subject for another day), but using our votes to engage is a basic step.

Voting is crucial. Do it. The national sentiment to exercise those rights has boiled even stronger this past week with the passing of Rep. John Lewis, a true pioneer of voting rights who sacrificed more than most of us can possibly imagine to stand up for what he believed in. The least we can do to honor the legacies of those who came before us is to put in some research and cast our votes. In a couple of my prior posts, I wrote about my own attempts to get out of my comfort zone, listen, learn and then (ultimately) get involved in areas where I felt like I could help. For every American, voting is the most bottom-line manifestation of the latter — taking what you’ve internalized and then committing to support the leaders/measures that you think best align with what you think should come next.

What I don’t align with, though, is the notion that the voting process itself must be conducted/gathered in a certain romanticized way, especially when that “way” has a history of discouraging and disenfranchising voters with long lines or arbitrary polling place shutdowns or time windows that are nearly impossible for working-class people to meet. Pretending that our country’s current/prior methods of registration and voting are more pure and “patriotic” than modern attempts to improve access and accuracy isn’t helpful. However, combining “the old with the new” in haphazard ways without a clear plan is usually a recipe for disaster. (Iowa caucuses, anyone?) Could a national holiday for Election Day help with voter engagement? Perhaps.

At an earlier stage of my career, I helped work on designing secure digital voting software/terminals, and was able to see the inner workings of the process (both technically and politically). I came away from that experience not frightened or concerned about fraud, but with a strong realization that while no system is perfect, it would be irresponsible for us an a society not to explore using new tools and technologies at our disposal to make it easier for more citizens to A) register to vote, and B) actually vote.   

In my own journey as a voter, I’ve been fortunate to have very few hurdles and absolutely no excuses.

I was one month too young to vote in the 1992 presidential election (Bill Clinton’s first term), but I cast my first ballot in 1994 as a sophomore in college, just shy of my 20th birthday, in which I voted for (among other things) Democrat Ben Nelson as governor of Nebraska (he won). I was then able to vote in 1996 for Clinton’s second term, in 1998 for Ben Nelson’s replacement (Republican Mike Johanns, who also won), and in every election since then as a resident of Nebraska or Washington at various times.  

Political parties have never been my thing. I’ve been a registered independent (lowercase “i,” as opposed to various “capital I” parties that have sometimes caused confusion in states like Connecticut and California) for my entire 26 years of voting age. In most of the places I’ve lived, being “independent” actually means registering as “unaffiliated,” which I admit seems a bit generic and noncommittal, but as a political centrist that’s where I’ve gravitated, and ultimately it’s the vote that counts. It’s always interesting to me to see which items/offices on ballots are considered partisan (with the candidate’s listed party preference) and which ones aren’t. It seems random, but has a huge impact. As much as I wish that there weren’t a significant number of voters who just “go in cold” and look for the D’s and R’s, regardless of the quality of candidate, we know that the data/trends tell a different story. These dynamics have been historically interesting in my native Nebraska, well-known for its one-house Unicameral, its splitting of electoral votes since 1992 (Maine has done it since 1972) allowing for “purple state” outcomes, and the prairie populism of figures like William Jennings Bryan and Chuck Hagel.

In certain caucuses and primaries, it’s often a requirement for a voter to choose a “prefers X party” ballot in order to vote, in which case I just grin and bear it. There’s nothing sacred or binding about those “preferences” anyway, and primary voters hop back and forth all the time for what they view as larger strategic political gamesmanship. Those party selections don’t matter.

When I lived in the Midwest, I usually voted in-person at a volunteer-staffed polling place (usually a school or church or weird “community party room” at a local apartment complex), but on several occasions I requested and used an absentee ballot to vote, when I knew I’d be traveling or frankly just didn’t want to deal with having to juggle schedules on Election Day. Shortly after we moved to Washington State in the early 2000s, the state began making the pivot toward mail-in voting. It was initially presented as an opt-in program to the counties, and it was overwhelmingly popular, and it’s been standard ever since. Other states such as Oregon, Utah, Colorado and Hawaii also use mail-in voting almost exclusively, and every state in the U.S. gives voters an option to request an absentee ballot. The Pew Research Center says that nearly a quarter (21%) of the 2016 presidential election ballots were mail-in, up from only 8% in 1996, and this year the percentage will of course be considerably higher given societal trends and (especially) COVID.

I have watched the national “debate” about mail-in voting with half-amusement and half-exasperation. I don’t mind using “air quotes” in this situation because it really isn’t much of a debate or discussion, it’s just lobbing platitudes around about how “real Americans” should supposedly approach the idea of voting if they truly love this country. I know there are many people who are committed to the notion of “traditional” polling places, even though the shortcomings of that model (especially in underserved urban centers) are well-documented.

There is also a strange hair-splitting argument circulating that says “absentee ballots are fine, but mail-in ballots are not.” Not only does this ring hollow as a supposed “defense” for one’s own voting history, but more importantly, it doesn’t make any functional sense. The absentee/mail-in processes are identical, the only difference is that absentee ballots are opt-in and must be requested, whereas a fully mail-in election is mandated by the state legislature and becomes the sole means by which ballots are collected and counted. As a voter, you still have to sign your ballot/affidavit when you send it in, and it gets checked while counting, just like a volunteer or staffer at a polling place would do. Reports of people receiving voter-registration applications in the mail for children or dead relatives aren’t evidence of any sort of “fraud,” either, it’s just an indication that records are out-of-date or inaccurate. It happens. Now, if you were to actually try to “make a point” by taking one of those applications sent to you erroneously, filling it out, getting a ballot and using/signing it, then at that point, congratulations — YOU have committed voter fraud. So good luck with that.

Should we be concerned about potential issues with our country’s mail-in process needing to scale up so quickly per-state this fall? From a logistical perspective, yes, those are valid concerns, and indeed most knowledgeable observers predict that the typical flurry of “Election Night winners” and “projected victors” is very unlikely to happen in 2020 — the process of counting and determining local totals, which then roll up to larger totals, could take weeks. But with COVID looming large, the alternative of trying to do it “the old fashioned” way just isn’t viable, and would result in hopelessly skewed electoral results in which the only votes cast are from those willing to ignore health guidelines and gather somewhere to vote as opposed to doing the same thing at home.

While concerns of scale are certainly valid (as a tech guy, I deal with taking good ideas and trying to make them work “at scale” every day), concerns about “voter fraud” simply are not. Reports of “widespread fraud” have turned out to be nothing more than attempts to take small anecdotal irregularities and extrapolate them across a nationwide swath of voters. There has been no evidence of measurable voter fraud in any U.S. state or county (the most high-level “fraud-finding” effort in the country unceremoniously shut itself down two years ago after not finding anything), and no evidence that mail-in voting would increase the frequency of the few cases that have been found. Many of the hard-core opponents of mail-in voting have obvious political reasons for not wanting to make it easier for voters in certain districts to cast their ballots. In 2020, we’re likely to see some trend-bucking election results in many districts, which some pundits will attempt to brand as “evidence of fraud,” when in reality it’s “evidence of more registered voters actually being able to…well, y’know…vote.”

Buckle up. It’s going to be a wild election season (it already is). I’m here for it, one oval at a time. Are you?